Fujifilm X-T50 Mirrorless Camera Body
The Fujifilm X-T50 is a mirrorless camera body in silver that combines the ease of shooting with a compact and lightweight body. It features a back-illuminated 40.2 megapixel X-Trans CMOS 5 HR sensor, X-Processor 5 high-speed image processing engine and a 5-axis, up to 7.0-stop in-body image stabilisation. It incorporates a new round shaped body design for comfortable handling and a film simulation dial on the top plate to easily switch between Film simulations.
The Style of FUJIFILM X-T50
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Classic Design
FUJIFILM X-T50 inheritates the X-T Series design that suggests the close resemblance of a classic film camera. The compact body weighs just 438g (0.96lb)*. Combined with the sleek design and ergonomic styling, it’s a joy to use wherever your creative journey takes you.
*Including battery and memory card
NEW
Rounded Body Shape
FUJIFILM X-T50 incorporates a new, rounded body shape. While slightly larger than the predecessor X-T30 II model, the styling makes it feel small without compromising handling. The thumb grip extends smoothly outward compared to previous models, providing an impressive overall feel and grip on the body.
NEW
Film Simulation Dial
FUJIFILM X-T50 features all-new Film Simulation dial on the top plate. Choosing the Film Simulation has never been easier. It is as simple as turning the dial. There are 20 Film Simulation modes to choose from, including the latest “REALA ACE”. Enjoy our color science that we have cultivated since our establishment in 1934.
Optimized for Creativity
Dial Operation
FUJIFILM X-T50 houses shutter speed, exposure compensation, and all-new Film Simulation dials on the top-plate. Together with the aperture ring on most XF lenses, settings can be checked and adjusted, even without turning the camera on, leaving you to concentrate on what matters most: making the perfect image.
Electronic Viewfinder
FUJIFILM X-T50 features a 2.36 million dot electronic viewfinder (EVF) with a 0.62x magnification ratio. The specially designed lens elements provide a high-definition live view, and includes an adjustable diopter control to provide a truly comfortable experience.
Tilting LCD
FUJIFILM X-T50 incorporates a tilting LCD, which offers enhanced versatility, particularly when working at waist level. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Cutting-Edge Image Quality
FUJIFILM X-T50’s fifth-generation X-Trans CMOS 5 HR sensor, X-Processor 5 imaging engine, and up to 7.0-stop in-body image stabilization (IBIS) combine to deliver the highest image quality yet for X Series in a small, light body.
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Zao Yanming |
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Katelyn Neilsen |
Improved Features
FUJIFILM X-T50 has further enhanced its features such as autofocus and ISO sensitivity when compared to its predecessor FUJIFILM X-T30 II.
Subject Detection Autofocus
FUJIFILM X-T50 uses X-Processor 5’s subject detection AF to accurately track a range of subjects. Built using deep-learning AI technology, it detects animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones.*
*Set the SUBJECT DETECTION SETTING to BIRD for insect detection, and to AIRPLANE for detecting drones.
Updated AF Algorithm
FUJIFILM X-T50 incorporates an impressive autofocus prediction algorithm for reliable focusing even when recording continuously moving subjects. Autofocus enhancements are most notable in Zone AF and low-contrast situations.
ISO 125 Standard Sensitivity
The X-Trans CMOS 5 HR sensor in FUJIFILM X-T50 has a more light-efficient pixel structure. A setting of ISO 125, which on the prior model, FUJIFILM X-T30 II was only an extended sensitivity option, is now available natively on the FUJIFILM X-T50.
S/N Level / Low-Light Power
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio. Astonishing image quality is in the palm of your hand.
Expanding Your Creativity
Add extra options to your image-making journey by combining FUJIFILM X-T50’s unique Film Simulation modes with other creative features. Use analog effects such as film grain, or boost colour depth, clarity, or sharpness to elevate your images, and take full control of highlight and shadow tones to dramatically expand your creative palette. A truly bespoke photographic adventure awaits.
Film Simulation
The 20 Film Simulation modes offered by FUJIFILM X-T50, including the new REALA ACE mode, harness 90 years of Fujifilm colour science, digitally replicating the look of classic photographic film stocks. Reproduce the classic colours and tones Fujifilm is renowned for, or add artistic flair to your photographic journey.
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 PROVIA/STANDARD
Based on FUJICHROME PROVIA, a reversal film designed for professional use, this Film Simulation mode is great for all types, offering a neutral colour reproduction |
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 REALA ACE
Based on REALA ACE, this 20th Film Simulation combines faithful colour reproduction with hard tonality, making it suitable for all subjects and situations. |
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 Classic Chrome
Designed to reproduce a look similar to documentary magazines of the 20th century. Classic Chrome's low saturation and hard tonal gradation in shadows make it a perfect choice for documentary photography with a touch of realism. |
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 CLASSIC Neg
Based on SUPERIA, a colour negative film loves by generations of photographers, this Film Simulation mode provides high-contrast tonal gradation. It adds depth and definition to colours by adjusting their shades in highlights and shadows, while reducing saturation. |
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 Velvia/VIVID
Based on FUJICHROME Velvia, an ultra-vivid reversal film designed for professionals, this Film Simulation mode provides richer and more high-contrast colours than the PROVIA/STANDARD. It is a favourite of landscape photographers. |
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 ASTIA/SOFT
Based on FUJICHROME ASTIA, a reversal film designed for fashion portraiture, this mode prioritizes soft and faithful reproduction of skin tones, while also depicting vivid blue skies and greenery. |
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 PRO Neg. Std
Based on PRO160NS, a color negative film for professionals, this Film Simulation mode has a soft tonal gradation and excellent skin tone reproduction. Ideal for portrait photography under carefully controlled lighting. The neutral tonality renders itself well to post-processing. |
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 NOTSTALGIC Neg.
Designed to recreate the look of images in old photo albums, NOSTALGIC Neg. produces images with rich colours in the shadows – and a soft tonality through the midtones and highlights. |
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 PRO Neg. Std
Based on ACROS, a monochrome film renowned for super-fine grain, this Film Simulation mode delivers rich shadow details and excellent sharpness, while still adding grain at high ISOs, and recreating the stunning textured feel of monochrome. |
Grain Effect
From subtle textures to the gritty look of traditional high-ISO film stocks, with FUJIFILM X-T50 you can easily add natural-looking grain to your photos. Control the strength and size for just the right amount of texture on any image.
Colour Chrome Effect
For highly-saturated subjects, Colour Chrome Effect adds depth, detail, and vibrancy in three strengths to red, green, or yellow tones where detail may otherwise be lost.
Colour Chrome FX Blue
Adds more depth and naturally enhances the vividness of the colour.
Clarity
The Clarity control lets you decide whether to recreate a scene with a crisp sharpness, defining edges and boosting contrast, or with a soft feel. With 11 levels of control, it’s easy to fine-tune to your personal taste and style.
Monochromatic Colour
Monochromatic Colour allows you to choose a key colour from a matrix of Warm / Cool tones and Magenta / Green hues. You can incorporate the rich gradation into your images to create photographs with a personal twist.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preserved. Under incandescent lighting, this will generally result in images with warmer white tones.
Mode: Automatic Scene Recognition
Custom: Custom 1~3 Size / Area Selectable
Color Temperature Selection: 2,500K –10,000K
Preset: Daylight, Shade, Fluorescent Light (Daylight), Fluorescent Light (Warm White), Fluorescent Light (Cool White), Incandescent Light, Underwater